Something is 'biantai' in Daniel Tam-Claiborne's debut novel

The KUOW Book Club is reading Danial Tam-Claiborne's "Transplants" this month. I'm your reading guide Katie Campbell. Let's get into the first half of the book.

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he same word comes up as we are introduced to the two main characters in "Transplants": biantai. "Off," Tam-Claiborne clarifies as our Chinese American friend Liz tries to make excuses for her white male colleagues at the college in China where they're teaching English.

Such is the nature of both Liz's and her counterpart Lin's struggle in the book. Neither seems to fit in wherever they go, whoever they try to be.

Liz grew up in the States after her parents left China, and Lin grew up in China with more of an affinity for English and animals than her own native tongue or peers. They're alike in the ways they're different, highlighting the core theme of "Transplants" with crystal clarity. Identity, Tam-Claiborne makes clear, is not only in our own concept of ourselves but also in how others see us — whether they're right or wrong.

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That would be enough to deal with for these young women. Liz is a recent graduate teaching English in China, and Lin is a college freshman at the school where Liz and several other Americans teach. Both are farther from home than they've ever been, and both feel a deep loneliness that's exacerbated by others around them.

And they meet under less than ideal circumstances.

In her desperation to be understood and valued, Lin falls for her English teacher, Travis. They begin a sexual relationship that, from Lin's view, seems genuinely lovely. Then, the reader is thrust into reality when we see the relationship from the perspective of Liz:

(Side note: As a University of Florida alum, I must say it just makes sense to me that the jerks Jim and Collin are FSU grads. But I digress.)

Talk about biantai. The vibes were already off early on.

But, of course, things get worse. I want to try to avoid spoilers, but it's hard not to mention the arrival of the third major character of sorts in "Transplants" — Covid-19.

The pandemic arrives suddenly in the novel, much like it seemed to do in real life. The tension that seemed to lurk in the background from the start of the book hurtles into full view, taking the predicaments in which both Liz and Lin find themselves out of their hands.

The lockdowns and strict precautions that follow the swift spread of the virus thrust Liz into a relationship of her own, with a man she met on vacation, Stephen. He's a good sport about the whole thing, welcoming Liz into his home even though they hardly know each other. But as many of us know, having lived through the pandemic, even the most committed relationships were put to the test. Liz and Stephen's is no different.

This ominous line hit me especially hard:

And here is where I'll mention my one complaint about "Transplants," now that we're halfway through the book: The thing that is most off to me is how much the lives of these two independent young women ends up revolving around men.

Their love interests, absent fathers, and one very annoying brother hold so much sway over Liz and Lin, and it doesn't feel quite right, doesn't feel quite in line with them. They're not exactly comfortable with their outsider status, but they're aware of it and seem perfectly willing to forge their own path. Yet they lose agency somewhere along the way.

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The strength of "Transplants" is in how Tam-Claiborne makes the reader hope the women get that agency back. But with the world facing Covid, how much control can they regain? How much did any of us regain in the wake of a pandemic that changed the world?

Maybe that's cynical — I admit to feeling a bit cynical as I write this — but I think these are questions the author is inviting us to ask ourselves.

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Spoiler alert: For those of you who like to plan ahead, I've got October's book lined up for us. We'll be reading "Elita" by Kirsten Sundberg Lunstrum.

I think this will be just the thing to set a vibe for spooky season, with a healthy dose of moody Pacific Northwest atmosphere. Maybe more than a health dose, actually.

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The novel takes places at a penitentiary on a remote island in Puget Sound. In the 1950s. In the middle of winter. I have goosebumps already. And there are more to come as Bernadette Baston goes to the penitentiary to meet the feral girl discovered living alone in the nearby woods. Why won't she speak? Could she protecting someone? You'll have to read along with us to find out.