I walked toward McCaw Hall Thursday evening full of my usual pre-performance anticipation. I’ve seen hundreds of Pacific Northwest Ballet shows over the past three decades, but I’d really been looking forward to this program, featuring the Seattle premiere of new PNB choreographer-in-residence Alejandro Cerrudo’s epic ballet “One Thousand Pieces.”
The evening should have been like so many others over the years; instead, I was about to watch PNB’s last performance for at least a month.